Gimme Shelter and the 1960s Counter Culture Term Paper

Gimme nurture and the 1960s Counter finis - Term Paper ExamplePeople make culture, and culture makes them. by means of making culture, individual and collective identities be formed (Cushman, 1996, p. 7). The construction of heathenish institutions reflect commonsense beliefs approximately human behavior (Bruner, 1990, p. 38) Take the case of the men playing in a hobby band. The descriptive terms that one uses for these men and their vocation, such as playing, audience and instrument be each(prenominal) cultural meanings, and these cultural meanings control how we act. An individuals experiences and acts are regulated by his intentional states, and these states are realized only through participation in the symbolic systems of culture (Bruner, 1990, p. 33). It is only through cultural interpretations of ones personal autobiography that this story becomes understandable. Through this cultural mediation, meaning becomes communal and public, as opposed to private. The differenc e between culture and biological inheritance is that the latter does not necessarily shape human experience and action, but, rather, constrains action in a modifiable way. Culture shapes the human mind and purport by giving meaning to action by situating its underlying intentional states in an interpretive system. (Bruner, 1990, p. 34). ... 42). Culture externalizes internal tinctures, states of consciousness and thoughts into concrete forms that are shared by individuals. These concrete forms, such as symphony, are viewed as cultural objects (Cushman, 1996, p. 90). How music functions in any culture depends on how that culture operates socially, and these circumstances falsify between one culture and another. Listeners responds to popular music physically, by singing along, dancing, clapping, etc. emotional, by feeling the music, reminiscing or romanticizing and cognitive, by learning, stimulating thought, processing information, and framing perceptions, etc (Lull, 1987, p. 141 ). Related to the concepts of culture, as it relates to the dominant culture, are countercultures and sagacity culture. Counterculture is the result of engaging in resource forms of communication among social actors who are collectively pursuing alternative ways of living (Cushman, 1996, p. 8). The base of knowledge amongst the social actors in the counterculture runs counter to the dominant culture. Rock music counterculture means a group of individuals who are committed to disseminate rock music that is neither overtly nor covertly influenced by the dominant culture. Countercultures are often formed around music, due to musics ability to communicate and mediate common experiences. For instance, the 1960s were marked by the Vietnam War, which gave birth to the activists and hippies, two examples of 1960s countercultures. The youth of those times, influenced by the Vietnam War and a general feeling of unrest, basically made war on their elders, and this was a world-wide phenomeno n, even in the countries were Vietnam